There is no a priori constraint on how a work of art should look, it can look like anything else. Thus, I focused more on the process than on the mimetic representation of something, in order to transpose the visual from the meaning of experience to that of thinking.
Therefore, my works are what they are and are not what they are not, what is seen is seen and what is not seen is not seen, and the transition from a raw form to the final result becomes too pluralistic in intention and achievement to be captured in one dimension.
